Categories: Archived Post

RE:Vision Effects announces RE:Lens for FCP X and Motion

RE:Vision Effects has announced RE:Lens, a plug-in set for 360 (equirectangular) and fisheye workflow, for Apple’s Final Cut Pro X and Motion.

You can shoot with a superfish lens on a single camera and convert the video to Latitude-Longitude (LatLong) format suitable for use with all major 360 viewers. With the proper lens and camera setup, RE:Lens eliminates stitching from your panorama projects. 

RE:Lens includes spherical stabilization to address the problem of shaky or poor quality camera motion making the video hard to watch. This includes hand-held video or video captured while in movement, whether walking or attaching the camera to a motorcycle on a bumpy road. When working with 360 VR or fisheye footage, traditional in-camera or post-production stabilizers do not work well, or at all, on this type of footage. 

RE:Lens presents a solution that works directly in spherical space, with no need to break up the sequence in 6 cube faces or do 2D tracking of reference points. It even works directly on stitched 360 VR sequences. 

With RE:Lens you can create new looks with your 4K, 6K and 8K cameras. For example, work with a professional DSLR fisheye lens to capture large-resolution super-wide shots, and then produce sports, landscape or architectural video that you couldn’t normally generate from a single camera. When you straighten your video shot with a superfish lens (220-280 degrees), you can animate camera rotations and zooms in post. You can even create two separate virtual views using a single camera!

RE:Lens is being offered at introductory pricing of $139.95 through Feb 15. The regular price is $189.95.

Dennis Sellers

Dennis Sellers is the editor/publisher of Apple World Today. He’s been an “Apple journalist” since 1995 (starting with the first big Apple news site, MacCentral). He loves to read, run, play sports, and watch movies.

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